An industrial monster destroys a person by antediluvian mechanics and exhausting automatism. The film consists of two parts: “Steel” and “Clay”; it is the material that dictates the composition and the plot. “Factory” is about people who are parts of the world of machines. One shot of a female worker is divided into several pieces at some point, leaving a woman only the mechanistic nature of her existence in this space. The human body becomes a pure function. The infernal factory enslaves life, bringing it to the level of reflex.
Sergey Loznitsa was born on the 5th of September, 1964 in the city of Baranovitchi, in Belarus. At that time Belarus was part of the Soviet Union. Later Sergey’s family moved to Kiev, Ukraine, where Sergey finished high school. In 1981 Sergey applied and was admitted to Kiev Polytechnic Institute, with the major in applied mathematic and control systems. In 1987 he graduated with a degree in engineering and mathematics. From 1987 through 1991 Sergey was employed as a scientist at the Institute of Cybernetics. He was involved in the development of expert systems, artificial intelligence, and decision-making processes. In addition to his main job, Sergey worked as a translator from Japanese.
During that time Sergey developed a strong interest in cinematography, and in 1991 he applied to Russian State Institute of Cinematography, in Moscow. After passing a very vigorous selection process, Sergey was admitted to the Institute.
He studied in the studio of Nana Dzhordzhadze.
In 1997 Sergey graduated with honors with the major in movie production and direction. From 2000 he produces works in the Studio of Documentary Films in St.Petersburg. In 2000 he was awarded “Nipkov program” grant in Berlin. In 2001 Sergey immigrated with his wife and two daughters to Germany. Sergey Loznitsa made three full size documentaries and six short stories. Presently Sergey is directing several documentaries and working on new scripts.